Music in 28 Years Later: Bone Temple frames music as a sign of humanity

The article describes how 28 Years Later: The Bone Temple uses music—including a climactic heavy‑metal performance—to represent human connection, focusing on Kelson’s record collection, singing, and his bond with Samson.

28 Years Later: The Bone Temple foregrounds music in ways earlier films in the franchise generally did not. The series often relies on ambient sounds, silence, and the chaos of the infected, but Bone Temple builds scenes around songs and recorded music. The piece highlights Kelson, who keeps a small record collection, sings while he works, and treats music as a form of continuity with the world that came before the outbreak. The film’s climax centers on a staged heavy‑metal performance that the article describes as a pivotal moment for character bonds and the film’s themes. Notable points: - The film departs from the usual sound design of the series by making music and a full performance a central element. - Kelson is shown keeping records, singing to himself, and displaying empathy even toward infected characters. - Music is presented as a way Kelson bonds with Samson, and the article reports that this connection helps lead to Samson’s cure. - The climax involves Kelson performing along to an Iron Maiden recording of "The Number of the Beast" as part of a staged scene to influence the Fingers, and the article notes he appears to dose attendees with drugs. - Other characters also recall or use music, such as Jimmima’s Teletubbies‑inspired dance during a hostage scene, indicating music remains part of human memory. Summary: The article argues that music in Bone Temple functions as a marker of humanity and a means of connection, especially through Kelson’s actions and the film's climactic performance. Undetermined at this time.